Chaitanya Charitamrta | Madhya Lila | Chapter 21 | Section 140

“No one can estimate the inconceivable potency of Kṛṣṇa. All the Brahmās who were there were resting in the one body of Kṛṣṇa. (71) “When all the helmets struck together at Kṛṣṇa’s lotus feet, there was a tumultuous sound. It appeared that the helmets themselves were offering prayers unto Kṛṣṇa’s lotus feet. (72)“With folded hands, all the Brahmās and Śivas began to offer prayers unto Lord Kṛṣṇa, saying, ‘O Lord, You have shown me a great favor. I have been able to see Your lotus feet.’ (73) “All of them then said, ‘It is my great fortune, Lord, that You have called me, thinking of me as Your servant. Now let me know what Your order is so that I may carry it on my heads.’ (74) “Lord Kṛṣṇa replied, ‘Since I wanted to see all of you together, I have called all of you here. (75) “‘All of you should be happy. Is there any fear from the demons?’ “They replied, ‘By Your mercy, we are victorious everywhere. (76)

“‘Whatever burden was upon the earth You have taken away by descending to that planet.’ (77) “This is the proof of Dvārakā’s opulence: all the Brahmās thought, ‘Kṛṣṇa is now staying in my jurisdiction.’ (78) “Thus the opulence of Dvārakā was perceived by each and every one of them. Although they were all assembled together, no one could see anyone but himself. (79) “Lord Kṛṣṇa then bade farewell to all the Brahmās there, and after offering their obeisances, they all returned to their respective homes. (80) “After observing all these opulences, the four- headed Brahmā of this universe was astonished. He again came before the lotus feet of Kṛṣṇa and offered Him obeisances. (81) “Brahmā then said, ‘Whatever I formerly decided about my knowledge I have just now had personally verified. (82)

“‘There are people who say, “I know everything about Kṛṣṇa.” Let them think in that way. As far as I am concerned, I do not wish to speak very much about this matter. O my Lord, let me say this much. As far as Your opulences are concerned, they are all beyond the reach of my mind, body and words.’ (83) “Kṛṣṇa said, ‘Your particular universe has a diameter of four billion miles; therefore it is the smallest of all the universes. Consequently you have only four heads. (84) “‘Some of the universes are one billion yojanas in diameter, some one trillion, some ten trillion and some one hundred trillion yojanas. Thus they are almost unlimited in area. (85) “‘According to the size of the universe, there are so many heads on the body of Brahmā. In this way I maintain innumerable universes [brahmāṇḍas]. (86)

“‘No one can measure the length and breadth of the one fourth of My energy manifested in the material world. Who then can measure the three fourths that is manifested in the spiritual world?’ (87) “‘“Beyond the river Virajā is the spiritual nature, which is indestructible, eternal, inexhaustible and unlimited. It is the supreme abode, consisting of three fourths of the Lord’s opulences. It is known as paravyoma, the spiritual sky.”’ (88) “In this way Lord Kṛṣṇa bade farewell to the four- headed Brahmā of this universe. We may thus understand that no one can calculate the extent of Kṛṣṇa’s energies. (89) “There is a very deep meaning in the word ‘try- adhīśvara,’ which indicates that Kṛṣṇa possesses three different lokas, or natures. (90)

“The three lokas are Gokula (Goloka), Mathurā and Dvārakā. Kṛṣṇa lives eternally in these three places. (91) “These three places are full of internal potencies, and Kṛṣṇa, the Supreme Personality of Godhead, is their sole proprietor. (92) “As previously mentioned, the jewels on the helmets of all the predominating deities of all the universes and Vaikuṇṭha planets touched the throne and the lotus feet of the Lord when those deities all offered obeisances. (93-94) “When the gems on the helmets of all the predominating deities collided before the throne and the Lord’s lotus feet, there was a jingling sound, which seemed like prayers offered by the helmets at Kṛṣṇa’s lotus feet. (95) “Kṛṣṇa is thus situated eternally in His spiritual potency, and the opulence of that spiritual potency is called ṣaḍ- aiśvarya, indicating six kinds of opulences. (96) “Because He possesses the spiritual potencies, which fulfill all His desires, Kṛṣṇa is accepted as the Supreme Personality of Godhead. This is the Vedic version. (97)

“The unlimited potencies of Kṛṣṇa are just like an ocean of nectar. Since one cannot bathe within that ocean, I have only touched a drop of it.” (98) When Śrī Caitanya Mahāprabhu was describing the opulences and spiritual potencies of Kṛṣṇa in this way, there was an awakening of love of Kṛṣṇa within Him. His mind became immersed in the sweetness of conjugal love, and He quoted the following verse from Śrīmad- Bhāgavatam. (99) “‘To exhibit the strength of His own spiritual potency, Lord Kṛṣṇa manifested a form just suitable for His pastimes in the material world. This form was wonderful even for Him and was the supreme abode of the wealth of good fortune. Its limbs were so beautiful that they increased the beauty of the ornaments worn on different parts of His body.’(100)

“Lord Kṛṣṇa has many pastimes, of which His pastimes as a human being are the best. His form as a human being is the supreme transcendental form. In this form He is a cowherd boy. He carries a flute in His hand, and His youth is new. He is also an expert dancer. All this is just suitable for His pastimes as a human being. (101) “My dear Sanātana, the sweet, attractive transcendental form of Kṛṣṇa is so nice. Just try to understand it. Even a fractional understanding of Kṛṣṇa’s beauty can merge all three worlds in the ocean of love. He attracts all living entities within the three worlds. (102) “The transcendental form of Kṛṣṇa is shown to the world by Lord Kṛṣṇa’s internal, spiritual energy, which is a transformation of pure goodness. This jewellike form is the most confidential treasure of the devotees. This form is manifested from Kṛṣṇa’s eternal pastimes. (103)

“The wonderful form of Kṛṣṇa in His personal feature is so great that it attracts even Kṛṣṇa to taste His own association. Indeed, Kṛṣṇa becomes very eager to taste it. Total beauty, knowledge, wealth, strength, fame and renunciation are the six opulences of Kṛṣṇa. He is eternally situated in His opulences. (104) “Ornaments caress that body, but the transcendental body of Kṛṣṇa is so beautiful that it beautifies the ornaments He wears. Therefore Kṛṣṇa’s body is said to be the ornament of ornaments. Enhancing the wonderful beauty of Kṛṣṇa is His three- curved style of standing. Above all these beautiful features, Kṛṣṇa’s eyes dance and move obliquely, acting like arrows to pierce the minds of Śrīmatī Rādhārāṇī and the gopīs. When the arrow succeeds in hitting its target, their minds become agitated. (105)

“The beauty of Kṛṣṇa’s body is so attractive that it attracts not only the demigods and other living entities within this material world but the personalities of the spiritual sky as well, including the Nārāyaṇas, who are expansions of Kṛṣṇa’s personality. The minds of the Nārāyaṇas are thus attracted by the beauty of Kṛṣṇa’s body. In addition, the goddesses of fortune [Lakṣmīs], who are the wives of the Nārāyaṇas and are the women described in the Vedas as most chaste, are also attracted by the wonderful beauty of Kṛṣṇa. (106) “Favoring the gopīs, Kṛṣṇa rides on the chariots of their minds, and just to receive loving service from them, He attracts their minds like Cupid. Therefore He is also called Madana- mohana, the attractor of Cupid. Cupid has five arrows, representing form, taste, smell, sound and touch. Kṛṣṇa is the owner of these five arrows, and with His Cupid- like beauty He conquers the minds of the gopīs, though they are very proud of their superexcellent beauty. Becoming a new Cupid, Kṛṣṇa attracts their minds and engages in the rāsa dance. (107)

“When Lord Kṛṣṇa wanders in the forest of Vṛndāvana with His friends on an equal level, there are innumerable cows grazing. This is another of the Lord’s blissful enjoyments. When He plays on His flute, all living entities—including trees, plants, animals and human beings—tremble and are saturated with jubilation. Tears flow constantly from their eyes. (108) “Kṛṣṇa wears a pearl necklace that appears like a chain of white ducks around His neck. The peacock feather in His hair appears like a rainbow, and His yellow garments appear like lightning in the sky. Kṛṣṇa appears like a newly risen cloud, and the gopīs appear like newly grown grains in the field. Constant rains of nectarean pastimes fall upon these newly grown grains, and it seems that the gopīs are receiving beams of life from Kṛṣṇa, exactly as grains receive life from the rains. (109)

“The Supreme Personality of Godhead, Kṛṣṇa, is full in all six opulences, including His attractive beauty, which engages Him in conjugal love with the gopīs. Such sweetness is the quintessence of His qualities. Śukadeva Gosvāmī, the son of Vyāsadeva, has described these pastimes of Kṛṣṇa throughout Śrīmad- Bhāgavatam. Hearing the descriptions, the devotees become mad with love of God.” (110) Just as the women of Mathurā ecstatically described the fortune of the gopīs of Vṛndāvana and the transcendental qualities of Kṛṣṇa, Śrī Caitanya Mahāprabhu described the different mellows of Kṛṣṇa and became overwhelmed with ecstatic love. Grasping the hand of Sanātana Gosvāmī, He recited the following verse. (111) “‘What austerities must the gopīs have performed? With their eyes they always drink the nectar of the form of Lord Kṛṣṇa, which is the essence of loveliness and is not to be equaled or surpassed. That loveliness is the only abode of beauty, fame and opulence. It is self- perfect, ever fresh and unique.’ (112)

“The bodily beauty of Śrī Kṛṣṇa is like a wave in the ocean of eternal youth. In that great ocean is the whirlpool of the awakening of ecstatic love. The vibration of Kṛṣṇa’s flute is like a whirlwind, and the flickering minds of the gopīs are like straws and dry leaves. After they fall down in the whirlwind, they never rise again but remain eternally at the lotus feet of Kṛṣṇa. (113) “O My dear friend, what severe austerities have the gopīs performed to drink His transcendental beauty and sweetness through their eyes in complete fulfillment? Thus they glorify their births, bodies and minds. (114) “The sweetness of Kṛṣṇa’s beauty enjoyed by the gopīs is unparalleled. Nothing is equal to or greater than such ecstatic sweetness. Even the predominating Deities of the Vaikuṇṭha planets, the Nārāyaṇas, do not possess such sweetness. Indeed, none of the incarnations of Kṛṣṇa up to Nārāyaṇa possess such transcendental beauty. (115)

The vivid evidence in this regard is that the dearest consort of Nārāyaṇa, the goddess of fortune, who is worshiped by all chaste women, gave up everything in her desire to enjoy Kṛṣṇa, being captivated by His unparalleled sweetness. Thus she took a great vow and underwent severe austerities. (116) “The quintessence of Kṛṣṇa’s sweet bodily luster is so perfect that there is no perfection above it. He is the immutable mine of all transcendental qualities. In His other manifestations and personal expansions, there is only a partial exhibition of such qualities. We understand all His personal expansions in this way. (217) “Both the gopīs and Kṛṣṇa are complete. The gopīs’ ecstatic love is like a mirror that becomes newer and newer at every moment and reflects Kṛṣṇa’s bodily luster and sweetness. Thus competition increases. Since neither give up, their pastimes become newer and newer, and both sides constantly increase. (218)

“The transcendental mellows generated from the dealings between the gopīs and Kṛṣṇa cannot be tasted by means of fruitive activity, yogic austerities, speculative knowledge, regulative devotional service, mantra- yoga or meditation. This sweetness can be tasted only through the spontaneous love of liberated persons who chant the holy names with great ecstatic love. (119) “Such ecstatic transactions between Kṛṣṇa and the gopīs are possible only in Vṛndāvana, which is full of the opulences of transcendental love. The form of Kṛṣṇa is the original source of all transcendental qualities. It is like a mine of gems. The opulences belonging to all the personal expansions of Kṛṣṇa are to be understood to be bestowed by Kṛṣṇa; therefore Kṛṣṇa is the original source and shelter of everyone. (120) “Beauty, humility, mercy, merit, patience and expert intelligence are all manifested in Kṛṣṇa. But besides these, Kṛṣṇa has other qualities like good behavior, mildness and magnanimity. He also performs welfare activities for the whole world. All these qualities are not visible in expansions like Nārāyaṇa. (121)

“After seeing Kṛṣṇa, various people criticize the blinking of their eyes. In Vṛndāvana especially, all the gopīs criticize Lord Brahmā because of this defect in the eyes.” Then Śrī Caitanya Mahāprabhu recited some verses from Śrīmad- Bhāgavatam and explained them vividly, thus enjoying the taste of transcendental sweetness with great happiness. (122) “‘All men and women were accustomed to enjoying the beauty of the shining face of Lord Kṛṣṇa, as well as His shark- shaped earrings swinging on His ears. His beautiful features, His cheeks and His playful smiles all combined to form a constant festival for the eyes, and the blinking of the eyes became obstacles that impeded one from seeing that beauty. For this reason, men and women became very angry at the creator [Lord Brahmā].’ (123)

“‘O Kṛṣṇa, when You go to the forest during the day and we do not see Your sweet face, which is surrounded by beautiful curly hair, half a second becomes as long as an entire age for us. And we consider the creator, who has put eyelids on the eyes we use for seeing You, to be simply a fool.’ (124) “Kṛṣṇa, the Supreme Personality of Godhead, is identical with the Vedic hymn known as the Kāma- gāyatrī, which is composed of twenty- four and a half syllables. Those syllables are compared to moons that arise in Kṛṣṇa. Thus all three worlds are filled with desire. (125) “The face of Kṛṣṇa is the king of all moons, and the body of Kṛṣṇa is the throne. Thus the king governs a society of moons. (126) “Kṛṣṇa has two cheeks that shine like glowing gems. Both are considered full moons. His forehead is considered a half moon, and the spot of sandalwood there is considered a full moon. (127)

“His fingernails are many full moons, and they dance on the flute in His hands. Their song is the melody of that flute. His toenails are also many full moons, and they dance on the ground. Their song is the jingling of His ankle bells. (128) “Kṛṣṇa’s face is the enjoyer king. That full- moon face makes His shark- shaped earrings and lotus eyes dance. His eyebrows are like bows, and His eyes are like arrows. His ears are fixed on the string of that bow, and when His eyes spread to His ears, He pierces the hearts of the gopīs. (129) “The dancing features of His face surpass all other full moons and expand the marketplace of full moons. Although priceless, the nectar of Kṛṣṇa’s face is distributed to everyone. Some purchase the moonrays of His sweet smiles, and others purchase the nectar of His lips. Thus He pleases everyone. (130)

“Kṛṣṇa has two reddish, widely spread eyes. These are ministers of the king, and they subdue the pride of Cupid, who also has beautiful eyes. That face of Govinda, which is full of happiness, is the home of the pastimes of beauty, and it is very pleasing to everyone’s eyes. (131) “If by devotional service one gets the results of pious activities and sees Lord Kṛṣṇa’s face, what can he relish with only two eyes? His greed and thirst increase twofold by seeing the nectarean face of Kṛṣṇa. Due to his inability to sufficiently drink that nectar, he becomes very unhappy and criticizes the creator for not having given more than two eyes. (132) “When the onlooker of Kṛṣṇa’s face becomes dissatisfied in this way, he thinks, ‘Why didn’t the creator give me thousands and millions of eyes? Why has he given me only two? Even these two eyes are disturbed by blinking, which keeps me from continuously seeing Kṛṣṇa’s face.’ Thus one accuses the creator of being dry and tasteless due to engaging in severe austerities. ‘The creator is only a dry manufacturer. He does not know how to create and set things in their proper places. (133)

“‘The creator says, “Let those who will see Kṛṣṇa’s beautiful face have two eyes.” Just see the lack of consideration exhibited by this person posing as a creator. If the creator took my advice, he would give millions of eyes to the person who intends to see Śrī Kṛṣṇa’s face. If the creator will accept this advice, then I would say that he is competent in his work.’ (134) “The transcendental form of Lord Śrī Kṛṣṇa is compared to an ocean. A particularly extraordinary vision is the moon above that ocean—Śrī Kṛṣṇa’s face—and an even more extraordinary vision is His smile, which is sweeter than sweet and is like shining beams of moonlight.” While speaking of these things with Sanātana Gosvāmī, Śrī Caitanya Mahāprabhu began to remember one thing after another. Moving His hands in ecstasy, He recited a verse. (135)