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Mayapur Hospital Receives ₹12 Crore Contribution From Bandhan Group Founder Mr. Chandrashekar Ghosh

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Mr. Chandra Shekar Gosh offering the actual cheque to Vrajavilas Das, Mayapur Co-director, in the presence of Śrila Prabhupāda and Harilila Das, Hospital Director.

In a significant milestone for the Sri Mayapur Community Hospital project, Mr. Chandrashekar Ghosh, Founder of Bandhan Group, Kolkata, recently made a generous contribution of ₹12 crores (approximately USD 1.35 million) towards completing the hospital building. The ceremonial presentation of the donation took place on October 19, coinciding with the auspicious month of Kartik. The event was organized under the meticulous supervision of Krishna Vijay Das, General Manager, and Prema Avatar Das, Hospital Project Manager, ably guided by Vrajavilas Das, Mayapur Co-director. Mr. Ghosh was accompanied by his wife, Mrs. Nilima Ghosh, his family members, Mr. Swapan and Mrs. Geetha Ghosh, and his nephew, Rudraman Ghosh. Mr. Pritish Shah of Bandhan Group also graced the occasion. The donation was the culmination of a relationship carefully nurtured by Krishna Vijay Das, who had been in dialogue with the Ghosh family and facilitated their engagement with the project.

A Spiritually Uplifting Visit

The Ghosh family arrived in Mayapur the previous day and were warmly received by Vrajavilas Das, who guided them through the Temple of the Vedic Planetarium (TOVP) project. The visitors were deeply moved by the grandeur and spiritual atmosphere of the site. Later that evening, they participated in the Sandhya Arati and Damodar Lamp Offering ceremony. Mr. Gosh remarked that he was amazed by the continuous stream of people coming and happily offering lamps to their Lordship, as well as the enthusiastic kirtan and the energetic dancing of devotees.

“The whole experience is so divine; everyone feels so happy, forgetting the stress of daily life,” remarked Mr. Ghosh, appreciating the devotional spirit and energy of the devotees. The evening concluded with a sumptuous prasadam meal served with love by the devotees.

Ceremonial Offering and Blessings

The following morning began early with Mangala Arati and Go Puja, after which the guests visited the hospital site. They were welcomed by Krishna Caitanya Das and a team of brahmanas with traditional Purna Kumbha rituals, followed by a Yajna performed to invoke auspiciousness. Devotees led a melodious Harinam Sankirtan throughout the ceremony.

At the appointed auspicious time, Mr. and Mrs. Ghosh ceremonially presented the Mahadanam cheque to Srila Prabhupada’s murti, seeking his blessings. The offering was accepted on behalf of Srila Prabhupada by Vrajavilas Das, co-director of the Mayapur project.

Acknowledgements and Felicitations

Following the donation, Harilila Das, Hospital Director, welcomed the guests and expressed gratitude for their contribution. Jayapataka Swami joined virtually from Chennai to offer blessings in Bengali, appreciating the family’s devotion and service.

Vrajavilas Das honored the donors with a special, mega-edition of the Bhagavad-gita As It Is and a chadar from Tirupati Balaji Temple. Hrdaya Caitanya Das, GBC and Co-Director of Mayapur, highlighted the hospital project’s importance as an act of Vaishnava seva, serving the health needs of devotees and residents of the dham. He presented the guests with a scale model of the TOVP as a token of appreciation.

Words of Inspiration

In his address during the ceremony, Mr. Chandrashekar Ghosh said, “The whole of ISKCON Mayapur is like a big spiritual hospital where people can come and cure themselves of all the sufferings to experience divine happiness.” He further remarked, “Our contribution is an extension of our services to the poor and underprivileged population of this region, reflecting our commitment to improve lives. His words deeply resonated with the assembled devotees and guests, underscoring the harmony between material welfare and spiritual upliftment.

The ceremony also recognized the contributions of Krishna Vijay Das for his key role in facilitating the donation and of Prema Avatar Gauranga Das, the hospital project manager.

In his closing remarks, Harilila Das thanked the Ghosh family for their heartfelt generosity and acknowledged the efforts of the hospital’s doctors, nurses, and staff in advancing the project. The event concluded with a graceful Odissi dance performance by one of the hospital’s nurses, adding a touch of cultural elegance to the ceremony.

Contributions to the Sri Mayapur Community Hospital project are open to well-wishers worldwide. Donations from India, the USA, Canada, and the UK qualify for tax exemptions in their respective countries. 

Sardanga Village Embraces Mayapur Clean And Green Vision Through Community Action

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Murari Mohini Devi Dasi and Chintamani Devi Dasi with the residents of Sardanga village.

Mayapur Clean and Green, the environmental initiative led by Murari Mohini Devi Dasi, is inspiring grassroots transformation beyond the borders of the dham. In the small village of Sardanga, located one kilometer from the Jagannath temple in Rajapur, residents are rallying together to turn their neighborhood into a model of cleanliness and beauty, demonstrating how the organization’s vision can spread through community participation.

Cintamani Devi Dasi, who is coordinating a small eco-project in Sardanga where devotees and visitors from Mayapur come to relax in nature, recognized that her neighborhood needed the same care and attention that Mayapur Clean and Green brings to the wider region. The village had become typical of rural Bengal, with weeds and random trees growing unchecked along pathways and residents throwing garbage onto unused land. For months, she looked at the neglected streets and imagined their potential, how simple efforts could create beauty and raise residents’ consciousness. She felt Lord Jagannath sent her the inspiration to begin transforming the area into a place that reflects genuine care.

Drawing directly from Mayapur Clean and Green’s approach, Cintamani Devi Dasi gathered neighbors to propose beautifying their community by cleaning up garbage, removing weeds, and planting flowering trees, bushes, and vines. The response was enthusiastic. Residents immediately embraced the idea and committed to helping. Now, a dedicated group gathers weekly to work together, not only improving their environment but also building relationships through shared effort.

Mayapur Clean and Green has provided crucial support for the initiative, including supplying garbage bins for proper waste disposal. The Sardanga project aims to become a model village that demonstrates how other communities in the surrounding area can adopt similar practices. “We thank Mayapur Clean and Green for their support, and I feel we are doing our part to help and spread awareness of their vision. If we succeed, Sardanga can become a model village that inspires other communities in the surrounding area to follow,” Cintamani Devi Dasi said, expressing how the project carries forward the organization’s mission of spreading environmental awareness and action.

However, there are many challenges. While some neighbors regularly participate in the weekly cleanup days, others contribute independently, and maintaining motivation requires ongoing effort and outreach. Changing old habits, particularly getting residents accustomed to using the garbage bins provided by Mayapur Clean and Green rather than scattering trash on empty plots, takes patience and persistence. The project’s momentum depends on consistent leadership and community engagement.

The Sardanga initiative welcomes support from the wider devotee community. The most meaningful contribution anyone can make is attending the community work days to show solidarity and participate in the hands-on work. Artists and those who enjoy painting are particularly needed to help decorate and paint walls, though funds for paint and brushes are still being collected. The Urugayas Food for Life team has pledged to sponsor a korai, or cooking pot, and to occasionally cook meals, recognizing that prasadam strengthens community bonds.

Donations of rice, dhal, spices, vegetables, and halva ingredients are welcome for these community meals. The project is also collecting funds for a water tank to store water from government pipes that run twice daily. Garden plants and contributions of any kind are appreciated as the village continues its transformation.

Ultimately, what is unfolding in Sardanga reveals how Mayapur Clean and Green’s mission naturally expands through devotees who take initiative in their own communities. Inspired by the service of the Mayapur Clean & Green team, the project shows that environmental care and community building go hand in hand. By providing resources, encouragement, and a living example, the organization is empowering residents to take ownership of their environment. Those wishing to support or learn more can visit Sardanga near Rajapur’s Jagannath temple and join the weekly efforts.

Srimad Bhagavatam | Canto 4 Chapter 6 | Brahmā Satisfies Lord Śiva

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All the priests and other members of the sac rificial assembly and all the demigods, having been defeated by the soldiers of Lord Śiva and injured by weapons like tridents and swords, approached Lord Brahmā with great fear. After offering him obeisances, they began to speak in detail of all the events which had taken place (1-2).Both Lord Brahmā and Viṣṇu had already known that such events would occur in the sac rificial arena of Dakṣa, and knowing before hand, they did not go to the sacrifice (3).When Lord Brahmā heard everything from the demi gods and the members who had attended the sacrifice, he replied: You cannot be happy in executing a sacrifice if you blaspheme a great personality and thereby offend his lotus feet. You cannot have happiness in that way (4).

You have excluded Lord Śiva from taking part in the sacrificial results, and therefore you are all of fenders at his lotus feet. Still, if you go without mental reservations and surrender unto him and fall down at his lotus feet, he will be very pleased (5).Lord Brahmā also advised them that Lord Śiva is so powerful that by his anger all the planets and their chief controllers can be destroyed immediately. Also, he said that Lord Śiva was especially sorry because he had re cently lost his dear wife and was also very much afflicted by the unkind words of Dakṣa. Under the circumstances, Lord Brahmā sug gested, it would behoove them to go at once and beg his pardon (6).Lord Brahmā said that no one not even himself, Indra, all the members assembled in the sacrificial arena or all the sages could know how powerful Lord Śiva is. Under the circumstances, who would dare to commit an offense at his lotus feet? (7)

After thus instructing all the demigods, the Pitās and the lords of the living entities, Lord Brahmā took them with him and left for the abode of Lord Śiva, known as the Kailāsa Hill (8). The abode known as Kailāsa is full of dif ferent herbs and vegetables, and it is sanctified by Vedic hymns and mystic yoga practice. Thus the residents of that abode are demigods by birth and have all mystic powers. Besides them there are other human beings, who are known as Kinnaras and Gandharvas and are ac companied by their beautiful wives, who are known as Apsarās, or angels (9).Kailāsa is full of mountains filled with all kinds of valuable jewels and minerals and surrounded by all va rieties of valuable trees and plants. The top of the hill is nicely decorated by various types of deer (10).There are many waterfalls, and in the mountains there are many beautiful caves in which the very beautiful wives of the mystics are found (11).

On Kailāsa Hill there is always the rhythmical sound of the peacocks’ sweet vi brations and the bees’ humming. Cuckoos are always singing, and other birds whisper amongst themselves (12). There are tall trees with straight branches that appear to call the sweet birds, and when herds of elephants pass through the hills, it appears that the Kailāsa Hill moves with them. When the waterfalls resound, it appears that Kailāsa Hill does also (13). The whole of Kailāsa Hill is decorated with various kinds of trees, of which the following names may be mentioned: mandāra, pārijāta, sarala, tamāla, tāla, kovidāra, āsana, arjuna, āmra-jāti [mango], kadamba, dhūli-kadamba, nāga, punnāga, campaka, pāṭala, aśoka, bakula, kunda and kurabaka. The entire hill is deco rated with such trees, which produce flowers with fragrant aromas (14-15).There are other trees also which decorate the hill, such as the golden lotus flower, the cinnamon tree, mālatī, kubja, and mādhavī (16).Kailāsa Hill is also decorated with such trees as kata, jackfruit, ju lara, banyan trees, plakṣas, nyagrodhas and trees producing asafetida. Also there are trees of betel nuts and bhūrja-patra, as well as rājapūga, blackberries and similar other trees (17).

There are mango trees, priyāla, madhuka and iṅguda. Besides these there are other trees, like thin bamboos, kīcaka and varieties of other bamboo trees, all decorating the tract of Kailāsa Hill (18).There are different kinds of lotus flowers, such as kumuda, utpala and śatapatra. The forest appears to be a decorated garden, and the small lakes are full of various kinds of birds who whisper very sweetly. There are many kinds of other animals also, like deer, monkeys, boars, lions, ṛkṣas, śalyakas, forest cows, forest asses, tigers, small deer, buffalo and many other animals, who are fully enjoying their lives (19-20). There are varieties of deer, such as karṇāntra, ekapada, aśvāsya, vṛka and kastūrī, the deer which bears musk. Besides the deer there are many banana trees which deco rate the small hillside lakes very nicely (21).There is a small lake named Alakanandā in which Satī used to take her bath, and that lake is especially auspicious. All the demigods, after seeing the specific beauty of Kailāsa Hill, were struck with wonder at the great opulence to be found there (22).

Thus the demigods saw the wonderfully beautiful region known as Alakā in the forest known as Saugandhika, which means “full of fragrance.” The forest is known as Sau gandhika because of its abundance of lotus flowers (23). They also saw the two rivers named Nandā and Alakanandā. These two riv ers are sanctified by the dust of the lotus feet of the Supreme Personality of Godhead, Govinda (24).My dear Kṣattā, Vidura, the celestial dam sels come down to those rivers in their airplanes with their husbands, and after sexual enjoy ment, they enter the water and enjoy sprinkling their husbands with water (25).After the dam sels of the heavenly planets bathe in the water, it becomes yellowish and fragrant due to the kuṅkuma from their bodies. Thus the elephants come to bathe there with their wives, the she elephants, and they also drink the water, alt hough they are not thirsty (26).

The airplanes of the heavenly denizens are bedecked with pearls, gold and many valuable jewels. The heavenly denizens are compared to clouds in the sky decorated with occasional flashes of electric lightning (27).While travel ing, the demigods passed over the forest known as Saugandhika, which is full of varieties of flowers, fruits and desire trees. While passing over the forest, they also saw the regions of Yakṣeśvara (28).In that celestial forest there were many birds whose necks were colored reddish and whose sweet sounds mixed with the humming of the bees. The lakes were abun dantly decorated with crying swans as well as strong-stemmed lotus flowers (29).All these at mospheric influences unsettled the forest ele phants who flocked together in the sandalwood forest, and the blowing wind agitated the minds of the damsels there for further sexual enjoy ment (30).They also saw that the bathing ghāṭas and their staircases were made of vaidūrya maṇi. The water was full of lotus flowers. Pass ing by such lakes, the demigods reached a place where there was a great banyan tree (31). That banyan tree was eight hundred miles high, and its branches spread over six hundred miles around. The tree cast a fine shade which permanently cooled the temperature, yet there was no noise of birds (32).

The demigods saw Lord Śiva sitting under that tree, which was competent to give perfection to mystic yogīs and deliver all people. As grave as time eternal, he appeared to have given up all anger (33).Lord Śiva sat there, surrounded by saintly persons like Kuvera, the master of the Guhyakas, and the four Kumāras, who were al ready liberated souls. Lord Śiva was grave and saintly (34).The demigods saw Lord Śiva situ ated in his perfection as the master of the senses, knowledge, fruitive activities and the path of achieving perfection. He was the friend of the entire world, and by virtue of his full af fection for everyone, he was very auspicious (35).He was seated on a deerskin and was prac ticing all forms of austerity. Because his body was smeared with ashes, he looked like an evening cloud. On his hair was the sign of a half-moon, a symbolic representation (36).He was seated on a straw mattress and speaking to all present, including the great sage Nārada, to whom he specifically spoke about the Absolute Truth (37).

His left leg was placed on his right thigh, and his left hand was placed on his left thigh. [This sitting posture is called vīrāsana.] In his right hand he held rudrākṣa beads, and his finger was in the mode of argument (38).All the sages and demigods, headed by Indra, of fered their respectful obeisances unto Lord Śiva with folded hands. Lord Śiva was dressed in saffron garments and absorbed in trance, thus appearing to be the foremost of all sages (39).Lord Śiva’s lotus feet were worshiped by both the demigods and demons, but still, in spite of his exalted position, as soon as he saw that Lord Brahmā was there among all the other demigods, he immediately stood up and offered him respect by bowing down and touching his lotus feet, just as Vāmanadeva offered His re spectful obeisances to Kaśyapa Muni (40).All the sages who were sitting with Lord Śiva, such as Nārada and others, also offered their respect ful obeisances to Lord Brahmā. After being so worshiped, Lord Brahmā, smiling, began to speak to Lord Śiva (41). Lord Brahmā said: My dear Lord Śiva, I know that you are the controller of the entire material manifestation, the combination father and mother of the cosmic manifestation, and the Supreme Brahman beyond the cosmic man ifestation as well. I know you in that way (42).

My dear lord, you create this cosmic manifes tation, maintain it, and annihilate it by expan sion of your personality, exactly as a spider cre ates, maintains and winds up its web (43). My dear lord, Your Lordship has introduced the system of sacrifices through the agency of Dakṣa, and thus one may derive the benefits of religious activities and economic development. Under your regulative principles, the institution of the four varṇās and āśramas is respected. The brāhmaṇas therefore vow to follow this system strictly (44).O most auspicious lord, you have ordained the heavenly planets, the spiritual Vaikuṇṭha planets and the impersonal Brahman sphere as the respective destinations of the per formers of auspicious activities. Similarly, for others, who are miscreants, you have destined different kinds of hells which are horrible and ghastly. Yet sometimes it is found that their destinations are just the opposite. It is very dif ficult to ascertain the cause of this (45). My dear Lord, devotees who have fully ded icated their lives unto your lotus feet certainly observe your presence as Paramātmā in each and every being, and as such they do not differ entiate between one living being and another. Such persons treat all living entities equally. They never become overwhelmed by anger like animals, who can see nothing without differen tiation (46).

Persons who observe everything with differentiation, who are simply attached to fruitive activities, who are mean-minded, who are always pained to see the flourishing condi tion of others and who thus give distress to them by uttering harsh and piercing words have already been killed by providence. Thus there is no need for them to be killed again by an ex alted personality like you (47).My dear lord, if in some places materialists, who are already be wildered by the insurmountable illusory energy of the Supreme Godhead, sometimes commit offenses, a saintly person, with compassion, does not take this seriously. Knowing that they commit offenses because they are overpowered by the illusory energy, he does not show his prowess to counteract them (48).

My dear lord, you are never bewildered by the formidable influence of the illusory energy of the Supreme Personality of Godhead. There fore you are omniscient and should be merciful and compassionate toward those who are be wildered by the same illusory energy and are very much attached to fruitive activities (49).My dear Lord Śiva, you are a shareholder of a portion of the sacrifice, and you are the giver of the result. The bad priests did not de liver your share, and therefore you destroyed everything, and the sacrifice remains unfin ished. Now you can do the needful and take your rightful share (50).My dear lord, by your mercy the performer of the sacrifice [King Dakṣa] may get back his life, Bhaga may get back his eyes, Bhṛgu his mustache, and Pūṣā his teeth (51).O Lord Śiva, may the demigods and the priests whose limbs have been broken by your soldiers recover from the injuries by your grace (52).O destroyer of the sacrifice, please take your portion of the sacrifice and let the sacrifice be completed by your grace (53).

Srimad Bhagavatam | Canto 4 Chapter 5 | Frustration Of The Sacrifice Of Daksa

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Maitreya said: When Lord Śiva heard from Nārada that Satī, his wife, was now dead be cause of Prajāpati Dakṣa’s insult to her and that his soldiers had been driven away by the Ṛbhu demigods, he became greatly angry (1). Thus Lord Śiva, being extremely angry, pressed his lips with his teeth and immediately snatched from his head a strand of hair which blazed like electricity or fire. He stood up at once, laughing like a madman, and dashed the hair to the ground (2).A fearful black demon as high as the sky and as bright as three suns combined was thereby created, his teeth very fearful and the hairs on his head like burning fire. He had thou sands of arms, equipped with various weapons, and he was garlanded with the heads of men (3).

When that gigantic demon asked with folded hands, “What shall I do, my lord?” Lord Śiva, who is known as Bhūtanātha, directly or dered, “Because you are born from my body, you are the chief of all my associates. There fore, kill Dakṣa and his soldiers at the sacri fice.” (4) Maitreya continued: My dear Vidura, that black person was the personified anger of the Supreme Personality of Godhead, and he was prepared to execute the orders of Lord Śiva. Thus, considering himself capable of coping with any power offered against him, he circum ambulated Lord Śiva (5).Many other soldiers of Lord Śiva followed the fierce personality in a tumultuous uproar. He carried a great trident, fearful enough to kill even death, and on his legs he wore bangles which seemed to roar (6). At that time, all the persons assembled in the sacrificial arena the priests, the chief of the sac rificial performance, and the brāhmaṇas and their wives wondered where the darkness was coming from. Later they could understand that it was a dust storm, and all of them were full of anxiety (7).

Conjecturing on the origin of the storm, they said: There is no wind blowing, and no cows are passing, nor is it possible that this dust storm could be raised by plunderers, for there is still the strong King Barhi, who would punish them. Where is this dust storm blowing from? Is the dissolution of the planet now to oc cur? (8)Prasūti, the wife of Dakṣa, along with the other women assembled, became very anx ious and said: This danger has been created by Dakṣa because of the death of Satī, who, even though completely innocent, quit her body as her sisters looked on (9). At the time of disso lution, Lord Śiva’s hair is scattered, and he pierces the rulers of the different directions with his trident. He laughs and dances proudly, scattering their hands like flags, as thunder scatters the clouds all over the world (10).

The gigantic black man bared his fearful teeth. By the movements of his brows he scattered the lu minaries all over the sky, and he covered them with his strong, piercing effulgence. Because of the miSBehavior of Dakṣa, even Lord Brahmā, Dakṣa’s father, could not have been saved from the great exhibition of anger (11). While all the people talked amongst them selves, Dakṣa saw dangerous omens from all sides, from the earth and from the sky (12).My dear Vidura, all the followers of Lord Śiva sur rounded the arena of sacrifice. They were of short stature and were equipped with various kinds of weapons; their bodies appeared to be like those of sharks, blackish and yellowish. They ran all around the sacrificial arena and thus began to create disturbances (13).Some of the soldiers pulled down the pillars which were supporting the pandal of sacrifice, some of them entered the female quarters, some began destroying the sacrificial arena, and some en tered the kitchen and the residential quarters (14).

They broke all the pots made for use in the sacrifice, and some of them began to extinguish the sacrificial fire. Some tore down the bound ary line of the sacrificial arena, and some passed urine on the arena (15).Some blocked the way of the fleeing sages, some threatened the women assembled there, and some arrested the demigods who were fleeing the pandal (16).Maṇimān, one of the followers of Lord Śiva, arrested Bhṛgu Muni, and Vīrabhadra, the black demon, arrested Prajāpati Dakṣa. An other follower, who was named Caṇḍeśa, ar rested Pūṣā. Nandīśvara arrested the demigod Bhaga (17). There was a continuous shower of stones, and all the priests and other members assem bled at the sacrifice were put into immense mis ery. For fear of their lives, they dispersed in dif ferent directions (18).Vīrabhadra tore off the mustache of Bhṛgu, who was offering the sac rificial oblations with his hands in the fire (19).

Vīrabhadra immediately caught Bhaga, who had been moving his eyebrows during Bhṛgu’s cursing of Lord Śiva, and out of great anger thrust him to the ground and forcibly put out his eyes (20). Just as Baladeva knocked out the teeth of Dantavakra, the King of Kaliṅga, during the gambling match at the marriage cer emony of Aniruddha, Vīrabhadra knocked out the teeth of both Dakṣa, who had shown them while cursing Lord Śiva, and Pūṣā, who by smiling sympathetically had also shown his teeth (21).Then Vīrabhadra, the giantlike per sonality, sat on the chest of Dakṣa and tried to separate his head from his body with sharp weapons, but was unsuccessful (22). He tried to cut the head of Dakṣa with hymns as well as weapons, but still it was hard to cut even the surface of the skin of Dakṣa’s head. Thus Vīrabhadra was exceedingly bewildered (23).Then Vīrabhadra saw the wooden device in the sacrificial arena by which the animals were to have been killed. He took the oppor tunity of this facility to behead Dakṣa (24).

Upon seeing the action of Vīrabhadra, the party of Lord Śiva was pleased and cried out joyfully, and all the bhūtas, ghosts and demons that had come made a tumultuous sound. On the other hand, the brāhmaṇas in charge of the sacrifice cried out in grief at the death of Dakṣa (25).Vīrabhadra then took the head and with great anger threw it into the southern side of the sacrificial fire, offering it as an oblation. In this way the followers of Lord Śiva devastated all the arrangements for sacrifice. After setting fire to the whole arena, they departed for their mas ter’s abode, Kailāsa (26).

Srimad Bhagavatam | Canto 4 Chapter 4 | Satī Quits Her Body 

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cSatī felt very sorry at being forbidden to go see her relatives at her father’s house, and due to affection for them, tears fell from her eyes. Shaking and very much afflicted, she looked at her uncommon husband, Lord Śiva, as if she were going to blast him with her vision (2).Thereafter Satī left her husband, Lord Śiva, who had given her half his body due to affec tion. Breathing very heavily because of anger and bereavement, she went to the house of her father. This less intelligent act was due to her being a weak woman (3).When they saw Satī leaving alone very rapidly, thousands of Lord Śiva’s disciples, headed by Maṇimān and Mada, quickly followed her with his bull Nandi in front and accompanied by the Yakṣas (4).

The disciples of Lord Śiva arranged for Satī to be seated on the back of a bull and gave her the bird which was her pet. They bore a lotus flower, a mirror and all such paraphernalia for her enjoyment and covered her with a great canopy. Followed by a singing party with drums, conchshells and bugles, the entire pro cession was as pompous as a royal parade (5). She then reached her father’s house, where the sacrifice was being performed, and entered the arena where everyone was chanting the Ve dic hymns. The great sages, brāhmaṇas and demigods were all assembled there, and there were many sacrificial animals, as well as pots made of clay, stone, gold, grass and skin, which were all requisite for the sacrifice (6).When Satī, with her followers, reached the arena, be cause all the people assembled were afraid of Dakṣa, none of them received her well. No one welcomed her but her mother and sisters, who, with tears in their eyes and with glad faces, wel comed her and talked with her very pleasingly (7).

Although she was received by her sisters and mother, she did not reply to their words of reception, and although she was offered a seat and presents, she did not accept anything, for her father neither talked with her nor welcomed her by asking about her welfare (8). Present in the arena of sacrifice, Satī saw that there were no oblations for her husband, Lord Śiva. Next she realized that not only had her father failed to invite Lord Śiva, but when he saw Lord Śiva’s exalted wife, Dakṣa did not receive her either. Thus she became greatly an gry, so much so that she looked at her father as if she were going to burn him with her eyes (9).The followers of Lord Śiva, the ghosts, were ready to injure or kill Dakṣa, but Satī stopped them by her order. She was very angry and sorrowful, and in that mood she began to condemn the process of sacrificial fruitive ac tivities and persons who are very proud of such unnecessary and troublesome sacrifices. She especially condemned her father, speaking against him in the presence of all (10).

The blessed Goddess said: Lord Śiva is the most beloved of all living entities. He has no rival. No one is very dear to him, and no one is his enemy. No one but you could be envious of such a universal being, who is free from all en mity (11). Twice-born Dakṣa, a man like you can simply find fault in the qualities of others. Lord Śiva, however, not only finds no faults with others’ qualities, but if someone has a little good quality, he magnifies it greatly. Unfortu nately, you have found fault with such a great soul (12). It is not wonderful for persons who have accepted the transient material body as the self to engage always in deriding great souls. Such envy on the part of materialistic persons is very good because that is the way they fall down. They are diminished by the dust of the feet of great personalities (13). Satī continued: My dear father, you are committing the greatest offense by envying Lord Śiva, whose very name, consisting of two syllables, śi and va, pu rifies one of all sinful activities. His order is never neglected. Lord Śiva is always pure, and no one but you envies him (14).

You are envi ous of Lord Śiva, who is the friend of all living entities within the three worlds. For the com mon man he fulfills all desires, and because of their engagement in thinking of his lotus feet, he also blesses higher personalities who are seeking after brahmānanda [transcendental bliss] (15). Do you think that greater, more respectable personalities than you, such as Lord Brahmā, do not know this inauspicious person who goes under the name Lord Śiva? He associates with the demons in the crematorium, his locks of hair are scattered all over his body, and he is garlanded with human skulls and smeared with ashes from the crematorium, but in spite of all these inauspicious qualities, great personalities like Brahmā honor him by accepting the flow ers offered to his lotus feet and placing them with great respect on their heads (16).Satī con tinued: If one hears an irresponsible person blaspheme the master and controller of reli gion, one should block his ears and go away if unable to punish him. But if one is able to kill, then one should by force cut out the blas phemer’s tongue and kill the offender, and after that one should give up his own life (17).

There fore I shall no longer bear this unworthy body, which has been received from you, who have blasphemed Lord Śiva. If someone has taken food which is poisonous, the best treatment is to vomit (18).It is better to execute one’s own occupational duty than to criticize others’. Ele vated transcendentalists may sometimes forgo the rules and regulations of the Vedas, since they do not need to follow them, just as the demigods travel in space whereas ordinary men travel on the surface of the earth (19).

In the Ve das there are directions for two kinds of activi ties activities for those who are attached to ma terial enjoyment and activities for those who are materially detached. In consideration of these two kinds of activities, there are two kinds of people, who have different symptoms. If one wants to see two kinds of activities in one person, that is contradictory. But both kinds of activities may be neglected by a person who is transcendentally situated (20). My dear father, the opulence we possess is impossible for either you or your flatterers to imagine, for persons who engage in fruitive ac tivities by performing great sacrifices are con cerned with satisfying their bodily necessities by eating foodstuff offered as a sacrifice. We can exhibit our opulences simply by desiring to do so. This can be achieved only by great per sonalities who are renounced, self-realized souls (21).You are an offender at the lotus feet of Lord Śiva, and unfortunately I have a body produced from yours. I am very much ashamed of our bodily relationship, and I condemn my self because my body is contaminated by a re lationship with a person who is an offender at the lotus feet of the greatest personality (22).

Because of our family relationship, when Lord Śiva addresses me as Dākṣāyaṇī I at once be come morose, and my jolliness and my smile at once disappear. I feel very much sorry that my body, which is just like a bag, has been pro duced by you. I shall therefore give it up (23). Maitreya the sage told Vidura: O annihi lator of enemies, while thus speaking to her fa ther in the arena of sacrifice, Satī sat down on the ground and faced north. Dressed in saffron garments, she sanctified herself with water and closed her eyes to absorb herself in the process of mystic yoga (24).First of all she sat in the required sitting posture, and then she carried the life air upwards and placed it in the position of equilibrium near the navel. Then she raised her life air, mixed with intelligence, to the heart and then gradually towards the pulmonary pas sage, and from there to between her eyebrows (25).

Thus, in order to give up her body, which had been so respectfully and affectionately seated on the lap of Lord Śiva, who is wor shiped by great sages and saints, Satī, due to anger towards her father, began to meditate on the fiery air within the body (26).Satī concen trated all her meditation on the holy lotus feet of her husband, Lord Śiva, who is the supreme spiritual master of all the world. Thus she be came completely cleansed of all taints of sin and quit her body in a blazing fire by medita tion on the fiery elements (27). When Satī annihilated her body in anger, there was a tumultuous roar all over the uni verse. Why had Satī, the wife of the most re spectable demigod, Lord Śiva, quit her body in such a manner? (28) It was astonishing that Dakṣa, who was Prajāpati, the maintainer of all living entities, was so disrespectful to his own daughter Satī, who was not only chaste but was also a great soul, that she gave up her body be cause of his neglect (29).Dakṣa, who is so hard hearted that he is unworthy to be a brāhmaṇa, will gain extensive ill fame because of his of fenses to his daughter, because of not having prevented her death, and because of his great envy of the Supreme Personality of Godhead (30).

While people were talking among them selves about the wonderful voluntary death of Satī, the attendants who had come with her readied themselves to kill Dakṣa with their weapons (31).They came forward forcibly, but Bhṛgu Muni saw the danger and, offering obla tions into the southern side of the sacrificial fire, immediately uttered mantric hymns from the Yajur Veda by which the destroyers of yaj ñic performances could be killed immediately (32). When Bhṛgu Muni offered oblations in the fire, immediately many thousands of demi gods named Ṛbhus became manifested. All of them were powerful, having achieved strength from Soma, the moon (33).When the Ṛbhu demigods attacked the ghosts and Guhyakas with half-burned fuel from the yajña fire, all these attendants of Satī fled in different direc tions and disappeared. This was possible simply because of brahma-tejas, brahminical power (34)

Famous Mountains, Kundas, Sarovaras, Vatas, Shilas, Kupas

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Famous Mountains Of Vraja Mandala

There are twenty five sacred mountains that are said to be located in Vraja Mandala of which nineteen are well known including: Govardhana Hill (Govardhana), Nila Parvata, Anandadri Parvata and Dhavala Parvata (Sanara Sikhar), Gandhamadana Parvata (Adi-Badri), Setu Kandara (Budhe-Badri), Kedar Parvata (Kedaranatha), Charana Pahadi and Lukluki Kandara (Kamyavana), Indrasena Parvata and Chaursyakhela Parvata (Bhojana Thali), Suvarnachala (Sunahara), Atora Parvata and Sakhi Parvata (Unchagrama), Brahma Parvata and Vishnu Parvata (Varsana), Nandishvara Parvata and Charana Pahari (Nandagrama) and Charana Pahadi (Bathain). (NOTE: In Vedic terminology even small hills are classified as parvatas, or mountains).

Famous Kundas Of Vraja Mandala

There are eighty-four sacred kundas within Vraja Mandala and the most prominent ones are: Brahma-kunda, Davanala-kunda and Govinda-kunda (Vrindavana), Narada-kunda, Radha-kunda, Shyama-kunda, Dan-nirvartana-kunda, Sankarshana-kunda, Govinda-kunda, Apsara-kunda (all located around Govardhana Hill), Saraswati-kunda, Potra-kunda, Shiva-tala and Balabhadra-kund (Mathura), Krishna-kunda (Madhuvana), Kamuda-kunda (Kamudavana), Bahula-kunda (Bahulavana), Vimala-kunda, Yashoda-kunda and Luk-luki-kunda (Kamyavana), Vrinda-kunda (Nandagrama), and Surya-kunda (Bathain Khurd), Manasi-ganga at Govardhana.

Famous Sarovaras Of Vraja Mandala

Kusuma-sarovara at Govardhana, Chandra-sarovara at Parasauli, Piyal-sarovara and Prema-sarovara at Varsana, Pavana-sarovara at Nandagrama, Mana-sarovara at Bilvavana.

Famous Vatas Of Vraja Mandala

There are said to be sixteen sacred banyana trees (vatas) with the most prominent being: Vamsi Vata, Shringara Vata and Advaita Vata (Vrindavana), Kama Vata (Kamyavana), Java Vata (Yavata), Bhandira Vata and Vamsi Vata (Bhandiravana), Sanket Vata (Sanket), Keli Vata (Kelanvana), Aksaya Vata (Bhandira Vata) (Kajrot). The other famous vatas whose locations are uncertain are: Manorama Vata, Jatajuta Vata, Shrivata, Asa Vata, Ashoka Vata, Brahma Vata, Rudra Vata, Shridhara Vata, Savitri Vata.

Famous Shilas Of Vraja Mandala

There are said to be eleven sacred rocks (shilas), with the most prominent being: Bhojana Thali, Phisalni-shila and Bhajana-shila (Kamyavana), Bhajana-shila (Mukharai), Phisalni shila (Unchagram), Jhulan-shila (Govinda-kunda) Balarama Mukut-shila (Doka Dauj), Dandavata shila (Jetipur), Mukharavinda-shila (Manasi-ganga), Jihva-shila (Radha-kunda) Radharani Mukut shila (Surya-kunda).

Famous Kupas Of Vraja Mandala

There are said to be twelve sacred kupas (wells), with the most prominent being: Radha-Kupa, Krishna-kupa and Venu-kupa (Vrindavana), Gopi-kupa (Radha-Kunda), Kubja kupa(Mathura), Venu-kupa (Bhandiravana), and Sapta-samudra-kupa (Mahavana).

Vraja Mandala Is Non-different From Lord Krishna

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In the Visnu-rahasya it is said that Vraja Mandala is non-different from the Lord’s own form. Therefore, just as Govardhana Hill is considered to be the transcendental form of Lord Krishna, Vraja Mandala is also another form of the Lord. The Visnu-rahasya reveals that this particular form of the Lord has fifty-five parts which are represented by fifty-five different forest of Vraja. Amongst the fifty-five forests that form the Lord’s body are the twelve sacred dwadashavanas while others are; upavanas, prativanas and adhivanas.

The Visnu-rahasya says, “Mathura is the heart, Madhuvana is the navel, Kumudavana and Talavana are the two parts of the chest, Vrindavana and Mayuravana are the forehead, Bahulavana and Mahavana are the biceps, Bhandiravana and Kokilavana are the hands, Khadiravana and Bhadrakavana are the shoulders, Chattravana and Lohajanghavana are the lotus eyes, Bilvavana and Bhadravana are the ears, Kamyavana is the chin, Triveni and Sakhi-kupa are the lips, Vihvala and others are the teeth, Surabhivana is the tongue, Manengitavana is the nose, Sesasayi and Paramanandavana are the nostrils, Karela and Kamai are the hips, Karnavana is the genitals, Krishna-ksipanak is the rectum, Nandanavana is the head, and Indravana is the back.

The five fingers of the right hand are Siksavana, Candravana, Lohavana, Nanda-grama, and Sri-kunda. The five fingers of the left hand are Garhasthana, Lalita-grama, Varsana, Gokula, and Baladeva. The five toes of the left foot are Govardhana, Javata, Sanketavana, Naradavana, and Madhuvana. The five toes of the right foot are Mridavana, Jahnuvana, Menakavana, Kajalavana, and Nandakupavana.” The Puranas like the Padma Purana, Adi-Varaha Purana, Vishnu Purana, and Bhavishya Purana, mention one hundred thirty-two most important forests of Vraja Mandala where Lord Krishna performed His transcendental pastimes.

Out of these, twelve forests are called the dwadashavanas and are revered as being the most sacred. The Adi-Varaha Purana lists the twelve sacred forests (dwadashavanas) by number: 1.Madhuvana 2.Talavana 3.Kamudavana 4.Kamyavana 5.Bahulavana 6.Bhadravana 7.Khadiravana 8.Mahavana 9.Lauhajangavana 10.Bilvavana 11.Bhandiravana 12, Vrindavana. Of the twelve sacred forests, seven are situated on the western bank of the Yamuna River including: Madhuvana, Talavana, Kamudavana, Bahulavana, Kamyavana, Khadiravana and Vrindavana, and five forests are situated on the eastern bank of the Yamuna including: Bhadravana, Bhandiravana, Bilvavana (Belvana), Lohavana (Lauhajangavana), and Mahavana.

It is said that Lord Krishna is the predominating Deity of the forests on the western bank of Yamuna and Lord Balarama is the predominating Deity of the forests on the eastern bank of the Yamuna. Both Krishna and Balarama are said to be the predominating Deities of Brihadvana (Mahavana). The Vraja Mandala Parikrama is also known as the Vana-yatra, because it circumambulates the dwadashavanas, the twelve primary forests of Vrindavana Dhama. The Sanskrit word dwadasha means twelve, the word is ‘vana’ means ‘forest’ and ‘yatra’ means ‘pilgrimage’.

Out of the twelve primary forests, the forest of Vrindavana is considered the most sacred and important. The Vraja-bhakti-vilasa has divided the sacred forests of Vrindavana into eleven groups with twelve forests in each group totaling 132 forests. Besides the original 12 dwadashvanas, there are 12 upavanas, 12 prativanas, 12 adhvanas, 12 sevavanas, 12 tapovanas, 12 mokshavanas, 12 kamavanas, 12 arthavanas, 12 dharmavanas and 12 siddhavanas. The word ‘upavana’ means ‘secondary forest’, ‘prativana’ means ‘replica forest’, and ‘adhivana’ means ‘half-forest’. In some Puranas the names of the sub-forests differ, but the list below from Vraja bhakti-vilasa is the most accurate.

Various Dimensions Attributed To Vraja Mandala

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In the Puranas a number of dimensions have been attributed to the area of Vraja Mandala including those of 21, 20 16, 12, 6 and 5 yojanas. This is possible because the Puranas describe many different regions within Vraja Mandala. Another reason is the variation in a kosa which was not a fixed measurement and in the different Puranas a kosa can vary between 1.75 and 2.75 miles. However, in today’s Gaudiya Vaishnava literature, the standard measurement of a kosa has been established as being two miles and a yojana as eight miles, based on the dimensions of Vraja Mandala found in the Adi-Varaha Purana. An example of variation in the yojana can be seen in the following two verses.

The Garga Samhita says that the area of Vraja Mandala from Yayavara to Saukari is twenty-one yojanas (eighty-four kosas), “The wise say that the most splendid transcendental land of Vraja mandala is 21 yojanas in extent.” The Bhakti-ratnakara says, “Just as the boundary of Mathura Mandala extends from Yayavara to Saukari, in this way all the directions are extended up to twenty yojanas.” Thus while describing the same area of Vraja Mandala there is a difference of one yojana (four kosas) between the Bhakti-ratnakara and the Garga Samhita, However, the dimensions found in the Garga Samhita of 21 yojanas (84 Kosas) are accepted as being correct by all Gaudiya Vaishnava scholars, whereas those of Bhakti-ratnakara are simply an approximation of the same area.

In another example of yojana variation, the Brihad-gautamiya-tantra says, “The glories of Vrindavana are beyond anyone’s calculation. People say Vrindavana covers sixteen kosa, and in the shastra it is said Vrindavana extends five yojanas.” According to the shastras, Vrindavana forest covers an area of five yojanas (twenty kosa), which is accepted as correct by Vaishnava scholars, whereas the local people say it covers four yojanas (sixteen kosa), a difference of just one yojana. 1. An example of various regions being described within the area of Vraja Mandala is found in the following verse. The Adi-Varaha Purana says, “Mathura Mandala extends throughout twenty four kosas and is decorated with twelve forests, dvadasa-vanas, where Mathuradevi, the bestower of all accomplishments resides.” Twenty-four kosas equals six yojanas or forty eight miles.

This is the approximate dimension of the inner border region of Vraja Mandala from Kambhi in the north to Baldeo (Baldev) in the south, encompassing the twelve sacred forests (dwadasa-vanas) where the pastimes of Krishna and Balarama took place. The border of this six yojana region was demarcated by Vajranabha Maharaja based on the above verse from Adi Varaha Purana. A number of stone pillars (kambha) were erected by Vajranabha at various places to mark the inner boundary of Vraja Mandala and one of these stone pillars still exists near the village of Kambhi. In the Skanda Purana it is said, “The tract of land called Mathura Mandala is spread over twelve yojanas.”

Regarding this particular reference from the Skanda Purana, the Bhakti-ratnakara says, “The Puranas have classified these holy places within Mathura Mandala where Krishna and Balarama used to play, stating that these holy places covered twelve yojanas.” However, twelve yojanas is equal to forty-eight kosas or ninety-six miles which is a very large area compared to the six yojanas mentioned in the Adi-Varaha Purana for the very same area where Krishna and Balarama used to play. Twelve yojanas or ninety-six miles is very close to the actual radius of Vraja Mandala which according to the Garga Samhita is forty-two kosas (10.5 yojanas) or eighty-four miles.

The Geographical Area Of Vraja Mandala

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The region of Vraja Mandala is also known as Mathura Mandala and the same geographical area is also known as Vrindavana Dhama. In most of the Puranas the area of the dhama is generally referred to by its more ancient name as Mathura Mandala, although in the Garga Samhita we find both Vraja Mandala as well as Mathura Mandala being used. It was only after the pilgrimage to Vrindavana by Lord Chaitanya Mahaprabhu that the terms Vraja and Vraja Mandala became prominent, mainly due to the writings of the Gaudiya Goswamis, who used the term Vraja profusely in their literatures.

The word ‘Vraja’ which means ‘the place where the cows roam unhindered’ is a Sanskrit word which is most applicable to the holy land where Lord Krishna performed His cow-herding pastimes as a boy. The land of Vraja is often referred to in the local dialects of Vrajabasa (Bhojpuri) as ‘Brij’ or ‘Brijbhoomi’ and these terms have been in common use since the late 16th century when the excavation of the holy dhama began and the revival of its culture and traditions emerged after having been in neglect for almost fifty centuries.

According to the Padma Purana (Mathura-mahatmya), the transcendental land of Vraja Mandala should be visualized as being a thousand-petaled lotus flower with the city of Mathura situated on the central whorl of that lotus. A similar description is also found in the Brahma samhita. While describing the five presiding Deities of Vraja Mandala, the Adi-Varaha Purana says that Vraja Mandala may be seen as a four-petaled lotus; Keshavadeva presides over the central whorl of that lotus, Govindadeva presides over the northern petal, Varahadeva presides over the southern petal, Harideva presides over the western petal, and Vishranti presides over the eastern petal, (Sometimes it is said that Baladeva presides over the eastern petal, and elsewhere it says He presides over the southern petal).

The Puranas also say that the holy dhama of Vrindavana is a completely spiritual place and transcendental to the material atmosphere, therefore attempting to measure it by mundane material means is considered to be an offense. Nevertheless, the Vedic scriptures have presented the approximate dimensions of the holy dhama for the benefit of devotees who want to visit the holy places connected to Lord Krishna’s pastimes. The Garga Samhita says, “The land between Baharisad (Barhada) in the northeast, Yadupura (Batesar) in the south, Sonitpura (Sohna) in the west, which measures eighty-four kosas, has been called Mathura Mandala or Vraja by all learned persons.”

From Sonha to Batesara is eighty-four kosas which is equal to twenty-one yojanas or one hundred and sixty eight miles. This is the actual diameter of the holy dhama from north to south or east to west, thus creating a circular mandala with Mathura in the centre. Therefore the radius of Vraja Mandala from Mathura to its outer border in all directions is forty-two kosas or eighty-four miles. The Garga Samhita mentions Baharisad as one of the border reference points which many scholars believe is the town of Barhada which is located in Aligarh District of Uttar Pradesh State. Barhada is also known as Bara Kalan, but the town of Barhada is not located at the correct distance of eighty-four miles (forty-two kosas) from the centre of Vraja to be identified with Baharisad.

The second reference point is Yadupura, the city of the Yadus which was ruled by Maharaja Surasena, the father of Vasudeva (Krishna’s father). Yadupura is presently known as Batesara which lies to the south of the modern city of Agra. The ancient name of Batesara was Saukri-Vateshwara and it is the place from where the boar incarnation of Vishnu, Lord Varahadeva appeared. Saukri-vateshwara, which is located on the southern petal of the lotus of Vraja, is considered to be Lord Varahadeva’s eternal residence. The third reference point is Sonitpura which is presently called Sohna; it is a well known spa and beauty-spot situated in the Aravali Hills in Haryana State and famous for its hot springs.

The ancient name of Sonitpur was Yayavara and it was so named after a famous brahmana who had once resided there. The Padma Purana, (Yamuna-mahatmya) states, “Long ago in this beautiful place of the Apsaras (Sonitpur), there lived an ascetic brahmana named Yayavara. Becoming overwhelmed by sensual pleasures that brahmana offended Lord Indra and was thus cursed. After suffering a long time from the fire of Indra’s curse, in spite of performing severe austerities to get relief, he eventually got freed from his sin simply by touching a drop of water here. That brahmana then traveled east till he reached Saukara-puri where Lord Varahadeva had previously manifest Himself to rescue the earth when it had sunk in the ocean of universal devastation.”

The Bhakti-ratnakara while giving another reference to the area of Vraja Mandala mentions the place known as Yayavara (Sonitpur) when it says, “According to the scriptures, the boundary of Mathura Mandala extends from Yayavara to Saukari-vateshwara.” The Brahmanda Purana mentions that the borders of Vraja Mandala are also demarcated by various sacred forests and says that in the north of Vraja Mandala is Suryapatnavana, in the east is Hasyavana, in the west is Parvatavana, and in the south is Janhuvana. These four forests demarcate the greater border of the chaurai-kosa Vraja Mandala area as described in the Garga Samhita.

The Vraja Mandala Borderline Parikrama

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The Vraja Mandala Borderline-Parikrama revealed in the Vraja-bhakti-vilasa does not visit all the twelve sacred forests as such, but instead circumambulates around them. This particular parikrama travels around the border of what is called the inner core of Vraja Mandala, inside of which all five-hundred holy places, including the twelve sacred forests are contained. This particular borderline-parikrama is generally performed by tyagi-sadhus and babajis of the various Vaishnava sampradayas.

The prominent places on the Vraja Mandala Borderline Parikrama are as follows: Madhuvana, Kamudavana, Sonk, Vac, Samai, Syama-Dhak, Bahej, Dig, Didavali, Konha, Adi-Badri, Pasopa, Kedaranatha, Badali, Charana-pahadi, Bhojana-Thali, Paigrama, Punthana, Singara, Sondha, Vanchari, Khambi, Hasanpur, Marava, Jedapura, Bajana, Salaka, Pitora, Tetigrama, Jarava, Raya, Karab, Vandi-Anandi, Baldeo, Brahmanda Ghata, Koila Ghata, Banda, Dhana, and Talavana.

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